And the violence comes suddenly and in excess.” – Deirdre Molumby, entertainment.ie “The movie is often disturbing and grotesque, not the ideal Netflix watch if you’re looking for something light. Is the movie – like the book – very, very violent? “Perhaps the story would have had more to breathe as a glossy limited series.” – Hannah Woodhead, Little White Lies “Screenwriters Antonio and brother Paulo Campos can’t meet the demands of omniscient fiction, shuffling scenarios with the fervor of a manic story editor zigzagging index cards across a whiteboard…a miniseries treatment would’ve suited this book more elegantly.” – Ryan Lattanzio, IndieWire

“Perhaps Campos is too closely wedded to Pollock’s book (the author even provides the voiceover) to allow it to entirely adjust to a new medium.” – Matt Maytum, Total Film “Campos has such reverence for the novel that he’s illustrated it more than he’s dramatized it.” – Owen Gleiberman, Variety “ The Devil All the Time darkly riveting realization of Donald Ray Pollock’s best-selling novel.” – Hope Madden, Columbus Underground Here’s what critics are saying about The Devil All the Time: Beyond the acting, though, appreciation for the Antonio Campos-helmed adaptation of Donald Ray Pollock’s epic and violent crime novel varies with regards to its length, focus, and especially its violence. They’re only part of an extensive ensemble cast, the performances of which are the movie’s highlight, according to the first reviews. Future Batman Robert Pattinson and current Spider-Man Tom Holland face off in The Devil All the Time, a violent Midwest-Gothic drama hitting Netflix this month.

The devil all time book